Design Legends ("DL") had the distinct honour to interview legendary designer Zhiyan Huang ("ZH") for their original perspective and innovative approach to design as well as their creative lifestyle, we are very pleased to share our interview with our distinguished readers.
ZH : My BFA degree is in Visual Communication Design from Parsons School of Design, The New School, and my MFA are in Graphic Design from Yale University School of the Arts, and the MA degree in University of Chicago, Division of Humanities, in Art History.
ZH : I became a designer, at first I just wanted to solve my life needs, such as making some beautiful decorations for myself. Over time, I realized that I have a great passion in the field of design and art, so I considered developing it into a career.
ZH : I chose to become a designer myself. And I also have a Master's degree in Art History at the same time, which has helped me a lot in my design identity.
ZH : I have a lot of design and artistic experimentation. For example, as a visual artist, I've made experimental graphic designs, book covers designs, and experimental films. After returning to Beijing, I came into contact with intangible cultural heritage, therefore, I'm considering the use of modeling to make jewelry in combination with intangible cultural heritage techniques.
ZH : I think the prerequisite for good design is to know yourself clearly. Tap into what you are good at, explore from a variety of areas, and practice well. Don't be afraid to take a long time to explore if you can. Every attempt becomes a seed for success.
ZH : The difference lies in the ability to push the limits of the self, and push the boundaries of various industry sectors. Outstanding designers always dare to try.
ZH : Good design can also pose new questions to the design community.
ZH : Design is a way of life that can make our lives better. Good design can subtly influence the way people see things.
ZH : I want to design products for Chinese craftsmen, so that on the one hand, we can protect and record the ancient and excellent skills, and on the other hand, we can combine them with design to produce good design works.
ZH : I want to make documentaries on design and designers.
ZH : I like to find new inspiration from research papers in various fields.
ZH : A lot of it, generally from artists, and Chinese cultural heritage.
ZH : Sagmeister and Jessica Walsh. Their knowledge of images, and the techniques they use to process them are very clever and recognizable. I love designers who combine photography and graphic design well.
ZH : I don't have my most satisfying design yet, but winning design Dunhuang collection met my expectations.
ZH : Forget about being a designer and do something that interests me. These experiences will allow me to make great work.
ZH : Probably an antique dealer, or an art historian. It's also possible to have an antique or clothing store at the same time.
ZH : Design is the visual language for thinking about life.
ZH : My family, and the faculties I met while studying at Yale.
ZH : Thinking about things from a different perspective, as well as forgetting that I'm a designer.
ZH : I had a bottleneck in graduate school. Mainly trying to find a design style that works for me.
ZH : Before presenting your work, try to explain in one sentence length what your design is and what problem you need to solve. On top of that, tell a compelling story.
ZH : Continue to do the fashion jewelry line under the Liang Xing brand. I am looking for good craftsmanship as well as visiting more artisans.
ZH : To be an ambassador of intercultural communication in culture and art.
ZH : Chinese designers want the world to see more designs that represent China. Maybe our new generation of designers can do that.
ZH : I think it's a great proposition. Designers taking their work seriously might be a good place to start.
ZH : I am currently starting a new jewelry line with Beijing Enamel Factory.
ZH : The progress of my brand so far is all to my satisfaction. Because I can take full ownership of these creations, I can also strike a good balance between art and business.
ZH : I'd like to see more designers develop their own clear personal portraits like artists do. Each designer has a clearly defined, strong style.
ZH : Designers build their own brands and have a stronger field of crossover attempts.
ZH : One month to six months, depending on who I work with.
ZH : Read articles written by other scholars and look at other people's research for inspiration. Sometimes watch interviews with famous people in different fields, or documentaries.
ZH : Being a lover of life is the foundation of being a good designer.
ZH : I think it's mutual. But good designers can't blindly follow trends.
ZH : Technology is the language and tools for expressing design thinking.
ZH : Everything from Adobe, and modeling software. And a high-resolution camera.
ZH : Like technology, it is a language and tool for expressing design thinking.
ZH : I want my audience to be able to talk about what my design reminds them of from their area of expertise. It could also be what valuable life experiences come to mind through my designs.
ZH : Curious what people not in the design field would think of good design work. And whether these works can actually impact people's lives.
ZH : Good design often emerges and is accomplished in conversation. My partners come from practitioners in different design fields.
ZH : Practitioners in the arts. Includes art historians, artists, art critics, curators, photographers, etc.
ZH : Books on art history, and ancient Chinese philosophy.
ZH : Record more things with my camera when I travel in general.
ZH : Philosophers written in history books. And women who weren't written in history but changed the development of history.
ZH : It's not hard to be famous, it's hard to keep making good work after I'm famous. And whether I can challenge myself and deny what's already established when I'm particularly famous.
ZH : Celestial blue, spring and fall, Jean-Paul Gaultier and Serge Lutens.
ZH : I'm actually a graphic designer and visual artist. I do fashion jewelry brand just because I want to put the unique Chinese, some beautiful techniques in my design work. Graphic designers spend most of their time using print as their medium, so I wanted to switch it up and make some nice looking jewelry to wear.
ZH : I want my ideas to be seen by more people. And to find partners at work who appreciate each other.
ZH : When I was a kid I thought I was going to be a great artist, specifically a painter. So becoming a designer is pretty much the same dream I had as a kid.
ZH : Maybe in a thousand years there will be a globally unified language that will allow all people to communicate without barriers. Visual expressions can transcend the boundaries of time and space. Perhaps people 1000 years from now can communicate with people of any age without barriers.
ZH : I hope that those who like my work will follow the Liang Xing brand, and I will continue to release more pieces in the series and make them available globally.

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