Islam Elsayed

LEGENDARY INTERVIEW

Design Legends ("DL") had the distinct honour to interview legendary designer Islam Elsayed ("IE") for their original perspective and innovative approach to design as well as their creative lifestyle, we are very pleased to share our interview with our distinguished readers.

DL: Could you please tell us a bit about your design background and education?

IE : I studied architecture at Helwan University in Cairo, graduating in 2009. My professional journey began at Khan Studio in Cairo, where I worked from 2009 to 2011. In 2011, I moved to Kuwait to join Inverse Consultant and spent five years there gaining solid experience in residential and commercial projects. In 2016, I briefly worked with Roma International in Salmiya, then in 2017, I founded Core Ark. Since then, I’ve been leading the studio across Kuwait, Egypt, and recently Spain—focusing on creating thoughtful, context-driven spaces that balance function and emotion.

DL: What motivates you to design in general, why did you become a designer?

IE : Design has always felt natural to me. Even as a child, I was drawn to how spaces work—how they make people feel, move, and connect. I became a designer because I believe architecture can solve problems, tell stories, and improve daily life. What motivates me is the challenge of creating spaces that are not just functional, but also meaningful—spaces that feel right emotionally, not just visually.

DL: Did you choose to become a designer, or you were forced to become one?

IE : I absolutely chose to become a designer. It was a natural path for me—I was always curious about spaces, how they’re formed, and how they affect people. Design wasn’t just a career choice; it was something I felt deeply connected to. No one pushed me into it—it grew from genuine passion and a strong sense of purpose.

DL: What do you design, what type of designs do you wish to design more of?

IE : My main focus is residential architecture. I’m especially drawn to designing spaces people use every day—homes that support real life, movement, rest, and connection. I believe residential design is deeply personal and has a lasting emotional impact. In the future, I’d love to continue working on more homes and private villas, where I can explore how architecture can quietly improve daily living.

DL: What should young designers do to become a design legend like you?

IE : Design should remain simple, honest, and deeply human

DL: What distinguishes between a good designer and a great designer?

IE : A good designer solves problems. A great designer goes further—they understand people, context, and emotion. They create spaces that not only function well but feel right. What sets a great designer apart is the ability to listen deeply, think critically, and design with empathy and clarity. It’s not just about aesthetics; it’s about impact.

DL: What makes a good design a really good design, how do you evaluate good design?

IE : A really good design is one that works seamlessly for the people using it—it feels natural, intuitive, and emotionally right. It’s not just about how it looks, but how it performs in daily life. I evaluate good design by its balance between function, proportion, light, and comfort. If a space supports well-being and feels effortless to be in, then it’s truly successful.

DL: What is the value of good design? Why should everyone invest in good design?

IE : Good design adds value on many levels—it improves how we live, how we feel, and how we connect with our surroundings. It’s not just about beauty; it’s about clarity, comfort, and functionality. Investing in good design means investing in long-term quality of life. It saves time, reduces stress, and creates spaces that support well-being and purpose. Everyone deserves a space that works for them and uplifts them.

DL: What would you design and who would you design for if you had the time?

IE : If I had the time, I’d design a small, self-sufficient home—calm, natural, and deeply connected to its surroundings. Something minimal but meaningful. I’d design it for someone who truly values simplicity, peace, and intentional living—maybe even for myself, as a personal design experiment that reflects everything I believe about space, light, and emotional comfort.

DL: What is the dream project you haven’t yet had time to realize?

IE : My dream project would be a retreat or a home set in nature—somewhere quiet, near water or mountains. A space designed for slowness, reflection, and simplicity. I’d love to create something that feels timeless and deeply human, using natural materials and light to shape a calm experience. It’s a project I’ve had in mind for years, and I hope to bring it to life when the right moment comes.

DL: What is your secret recipe of success in design, what is your secret ingredient?

IE : My secret ingredient is empathy—truly understanding the people I’m designing for and how they live. Combined with patience and curiosity, this helps me create spaces that feel authentic and meaningful. I also believe in blending creativity with discipline, and always being open to learning and adapting throughout the process.

DL: Who are some other design masters and legends you get inspired from?

IE : I draw inspiration from a range of design legends, including Zaha Hadid for her bold innovation and fluid forms, Tadao Ando for his mastery of light and space, and Alvar Aalto for his human-centered approach and use of natural materials. Their work reminds me how architecture can be both art and a deeply personal experience.

DL: What are your favorite designs by other designers, why do you like them?

IE : I admire designs that balance simplicity with emotional depth. For example, I appreciate Alvar Aalto’s residential designs for their warmth and human scale. These works inspire me because they show that great design isn’t just about aesthetics—it’s about how spaces make people feel and live better.

DL: What is your greatest design, which aspects of that design makes you think it is great?

IE : One of my greatest designs is the Al Ghunayman Villa. What makes it special is how it balances respect for cultural tradition with modern simplicity and natural light. The space feels calm and welcoming, creating a meaningful connection between the architecture and the people living there. Seeing it come to life exactly as I envisioned — and even better — is what truly defines its greatness for me.

DL: How could people improve themselves to be better designers, what did you do?

IE : Improving as a designer starts with staying curious and open-minded—always learning from different cultures, disciplines, and everyday life. For me, continuous practice through sketching, experimenting with new tools like SketchUp and Lumion, and seeking honest feedback have been key. Also, developing empathy to truly understand users’ needs helps create more meaningful designs. It’s a constant journey of growth and reflection.

DL: If you hadn’t become a designer, what would you have done?

IE : If I hadn’t become a designer, I believe I would have pursued a career related to problem-solving and creativity—perhaps in urban planning or environmental psychology. I’m naturally drawn to understanding how people interact with their environments, so any role that allows me to improve daily life through thoughtful solutions would have interested me.

DL: How do you define design, what is design for you?

IE : For me, design is the intentional process of shaping environments and experiences to solve problems and enhance daily life. It’s not just about aesthetics—it’s about creating spaces that are functional, comfortable, and emotionally meaningful.

DL: Who helped you to reach these heights, who was your biggest supporter?

IE : My biggest supporter has been my wife. Her unwavering encouragement, understanding, and belief in my vision have been crucial throughout my journey. She’s been a constant source of strength, helping me stay focused and motivated to reach these heights.

DL: What helped you to become a great designer?

IE : Continuous learning, staying curious, and being open to feedback have been key. Also, listening carefully to clients and understanding their needs deeply helped me create meaningful designs. Patience and persistence through challenges have shaped me into a better designer.

DL: What were the obstacles you faced before becoming a design master?

IE : Early in my career, I faced many obstacles, especially dealing with construction challenges like site constraints, budget limitations, and unexpected technical issues. These taught me the importance of flexibility, problem-solving, and close collaboration with contractors to ensure the design vision is realized effectively.

DL: How do you think designers should present their work?

IE : Designers should present their work in a neat, clear, and understandable way. Visuals need to communicate the concept effectively, and the story behind the design should be simple but compelling. This helps clients and collaborators connect with the idea and see its value easily

DL: What’s your next design project, what should we expect from you in future?

IE : My team and I are currently working on several residential projects across Kuwait, Qatar, and Saudi Arabia. Moving forward, you can expect us to continue focusing on thoughtful, human-centered designs that blend functionality with elegance, while exploring sustainable and innovative solutions tailored to each client’s needs.

DL: What’s your ultimate goal as a designer?

IE : My ultimate goal as a designer is to ensure client satisfaction by creating homes that truly resonate with their needs and lifestyles. Seeing clients happy and comfortable in a space we designed is the greatest reward and the true measure of success for me.

DL: What people expect from an esteemed designer such as yourself?

IE : People expect an esteemed designer like me to deliver innovative, practical, and high-quality solutions that reflect both creativity and deep understanding of their needs. They look for professionalism, clear communication, and designs that enhance their lifestyle while standing the test of time.

DL: How does design help create a better society?

IE : Design shapes the environments where we live, work, and interact, directly impacting our well-being and quality of life. Thoughtful design promotes sustainability, inclusivity, and comfort, encouraging healthier, more connected communities. By solving real problems and enhancing daily experiences, design helps build a better, more balanced society.

DL: What are you currently working on that you are especially excited about?

IE : I’m currently working on several residential projects across Kuwait, Qatar, and Saudi Arabia. Each location presents unique environmental challenges, from climate considerations to cultural context, which makes the design process both complex and rewarding. I’m excited to create homes that are not only beautiful but also functional and adapted to their specific environments.

DL: Which design projects gave you the most satisfaction, why?

IE : Residential projects always bring me the most satisfaction—especially private villas. They’re personal, emotional, and closely connected to how people live every day. One example is the Al Ghunayman Villa, where I was able to blend cultural identity with simplicity and calm. Seeing the clients feel truly at home in a space I designed—that’s the most rewarding part of my work.

DL: What would you like to see changed in design industry in the coming years?

IE : I’d like to see the design industry move more toward thoughtful, sustainable practices—where long-term impact matters more than trends. I also hope to see stronger collaboration between architects, clients, and communities, with more focus on livability, mental well-being, and cultural context. Design should become more inclusive, human-centered, and environmentally responsible.

DL: Where do you think the design field is headed next?

IE : I believe the design field is heading toward more human-centered, sustainable, and flexible solutions. With growing environmental and social awareness, there’s a shift toward using natural materials, designing adaptable spaces, and integrating technology in a way that enhances—not replaces—the human experience. The future of design is simpler, more intentional, and deeply connected to well-being and context.

DL: How long does it take you to finalize a design project?

IE : There’s no fixed timeline—it really depends on the scale, style, and client requirements. Some residential projects can take a few months, while others may extend over a year. Every project is unique, and I always prioritize quality and clarity over speed to make sure the final result aligns with the client’s vision and the context.

DL: When you have a new design project, where do you start?

IE : When I begin a new design project, I always start with the context—understanding the site, its surroundings, orientation, and environmental conditions. A site visit and thorough analysis are essential to observe how light moves, how people interact with the space, and what the location naturally offers. This foundation guides every design decision that follows.

DL: What is your life motto as a designer?

IE : Design with purpose, build with honesty, and always create spaces that feel as good as they look.

DL: Do you think design sets the trends or trends set the designs?

IE : I believe good design sets the trends—not the other way around. When design is rooted in real needs, context, and timeless principles, it naturally influences the way people live and what they value. Trends come and go, but thoughtful design has lasting impact and often becomes the reference point for future trends.

DL: What is the role of technology when you design?

IE : Technology plays a supportive but essential role in my design process. It helps me visualize ideas quickly, test concepts efficiently, and communicate clearly with clients and collaborators. Tools like SketchUp, Lumion, and Revit allow for precision and flexibility, but they always serve the core purpose: enhancing the quality and clarity of the design, not replacing creativity or human insight.

DL: What kind of design software and equipment do you use in your work?

IE : In my work, I use a combination of design software tailored to each stage of the process. For architectural modeling and technical detailing, I rely on Revit, 3ds Max, and SketchUp. For presentations and studies, I use Photoshop, Illustrator, and InDesign to communicate concepts clearly and professionally. Each tool plays a specific role in helping bring ideas to life and present them effectively to clients and collaborators.

DL: What is the role of the color, materials and ambient in design?

IE : Color, materials, and ambience are connect to their environment. I use natural materials like stone and wood to bring warmth and timeless fundamental to shaping the emotional and sensory experience of a space. They influence how people feel, behave, and ness, and I carefully select color palettes to create balance and calm. The right combination of these elements can turn a functional space into one that feels personal, inviting, and memorable.

DL: What do you wish people to ask about your design?

IE : I wish people would ask more about the why behind each design decision—what inspired the layout, the material choices, the light, and the flow. Understanding the story and intention behind a space reveals its deeper value. Good design isn't just about how it looks, but how it works, feels, and connects with the people using it.

DL: When you see a new great design or product what comes into your mind?

IE : I wish people would ask more about the why behind each design decision—what inspired the layout, the material choices, the light, and the flow. Understanding the story and intention behind a space reveals its deeper value. Good design isn't just about how it looks, but how it works, feels, and connects with the people using it.

DL: Who is your ideal design partner? Do you believe in co-design?

IE : My ideal design partner is someone who shares a strong sense of curiosity, respect for context, and a commitment to meaningful, user-focused design. I absolutely believe in co-design—collaboration brings diverse perspectives, strengthens ideas, and leads to more thoughtful and well-rounded outcomes. Whether it’s with clients, consultants, or creatives, design is always better when it’s a shared process.

DL: Which people you interacted had the most influence on your design?

IE : The people who influenced my design most are clients who truly engage with the process—those who share their lifestyle, values, and vision openly. Their input challenges me to think deeper and design more personally. I’ve also learned a lot from mentors and collaborators early in my career who emphasized clarity, honesty, and contextual thinking in every project. These interactions continue to shape the way I approach design today.

DL: Which books you read had the most effect on your design?

IE : Several books have deeply influenced my design thinking. “The Timeless Way of Building” by Christopher Alexander helped me understand the emotional and human side of architecture. “Thinking Architecture” by Peter Zumthor shaped how I approach atmosphere and materiality. And books on Islamic geometry and vernacular design have strengthened my connection to cultural context, which plays a big role in my work. Each book pushed me to design with more intention and sensitivity.

DL: How did you develop your skills as a master designer?

IE : I developed my skills over time through consistent practice, real project challenges, and learning from both success and failure. Working across different countries—like Egypt, Kuwait, and Spain—exposed me to diverse architectural styles, climates, and client needs, which shaped my adaptability. I also studied design deeply, stayed curious, and kept refining my process through sketching, modeling, and collaboration with trusted teams. Growth came step by step, through observation, patience, and a strong commitment to thoughtful design.

DL: Irrelative of time and space, who you would want to meet, talk and discuss with?

IE : If time and space weren’t a limit, I’d love to meet and talk with Tadao Ando. His work reflects a deep sensitivity to light, space, and silence—qualities I value in my own design approach. I’d be fascinated to hear how he balances minimalism with emotional depth, and how his personal journey shaped his architectural philosophy.

DL: How do you feel about all the awards and recognition you had, is it hard to be famous?

IE : I’m grateful for the recognition—it’s a reflection of the hard work, dedication, and collaboration behind each project. But I don’t see fame as the goal. What matters most to me is the trust of clients and the impact the spaces have on their lives. Recognition is encouraging, but staying grounded and focused on meaningful design is what truly drives me.

DL: What is your favorite color, place, food, season, thing and brand?

IE : My favorite color is Black—it brings calm and warmth. My favorite place is anywhere by the sea; it helps me reset and refocus. For food, I enjoy Mediterranean dishes—simple, fresh, and full of flavor. My favorite season is autumn—balanced and inspiring. My favorite thing is my sketchbook—it’s where most ideas begin.

DL: Please tell us a little memoir, a funny thing you had experienced as a designer?

IE : One funny moment I remember clearly was during a site visit early in my career. I was explaining a design detail to the contractor, pointing confidently at the plan—only to realize I was holding it upside down. We all laughed, and it reminded me to stay humble. Despite all the tools and drawings, communication and shared understanding matter most on-site. It became a light moment that built trust and broke the ice with the team.

DL: What makes your day great as a designer, how do you motivate yourself?

IE : A great day for me as a designer is when I see progress—whether it’s a breakthrough in a concept, positive feedback from a client, or a smooth coordination with the team. I motivate myself by reminding why I love design: solving problems creatively and improving people’s daily lives through thoughtful spaces. Small wins keep me energized, and staying curious always fuels my passion.

DL: When you were a little child, was it obvious that you would become a great designer?

IE : As a child, I was always drawn to drawing and rearranging spaces, which showed early signs of my passion for design. While I didn’t know I would become a great designer back then, it was clear that I loved creating and solving problems visually. That curiosity and love for design naturally grew over time into my career.

DL: What do you think about future; what do you see will happen in thousand years from now?

IE : In a thousand years, I imagine design will be even more integrated with advanced technology and sustainability. Spaces will likely adapt dynamically to our needs, blending nature and innovation seamlessly. I believe human-centered design will remain essential, but with smarter, more responsive environments that enhance wellbeing on a whole new level. It’s exciting to think how creativity and technology will shape the future of living.

DL: Please tell us anything you wish your fans to know about you, your design and anything else?

IE : I’d like my fans to know that my design philosophy centers on creating spaces that truly enhance daily life—combining functionality with emotion. I believe good design should feel natural, comfortable, and meaningful, not just look beautiful. I’m always learning and evolving, and I’m passionate about connecting with others who share a love for thoughtful, human-centered design. Thank you for your support—it inspires me to keep pushing boundaries.