Chiun Ju interior design

LEGENDARY INTERVIEW

Design Legends ("DL") had the distinct honour to interview legendary designer Chiun Ju interior design ("CJID") for their original perspective and innovative approach to design as well as their creative lifestyle, we are very pleased to share our interview with our distinguished readers.

DL: Could you please tell us a bit about your design background and education?

CJID : I hold a Master’s degree in Design from National Taipei University of Technology, with a focus on interior design and architectural planning. My design journey began over two decades ago, rooted in both academic training and hands-on practice. I founded Chiun Ju Interior Design in Taiwan, where I specialize in modern classical and contemporary styles, integrating cultural context with innovative spatial strategies. Over the years, I have continuously refined my approach through international exposure, academic research, and award-winning practice, shaping a design philosophy that balances aesthetics, sustainability, and human-centered experience.

DL: What motivates you to design in general, why did you become a designer?

CJID : I became a designer because I believe design has the power to transform lives and spaces. From an early age, I was fascinated by how environments affect human emotions and behaviors. What motivates me is the ability to create spaces that not only meet functional needs but also evoke feelings of comfort, inspiration, and beauty. For me, design is more than aesthetics—it is about crafting experiences, preserving cultural memory, and bringing harmony between people and their environments. Every project is an opportunity to turn challenges into meaningful solutions that enrich daily life.

DL: Did you choose to become a designer, or you were forced to become one?

CJID : I chose to become a designer entirely out of passion and conviction. Design was never something I was forced into; it was a natural path for me. From a young age, I found joy in observing spaces, details, and the emotions they create. Over time, this fascination grew into a deep desire to dedicate my life to transforming environments and enriching people’s experiences. Choosing design was choosing a way of life—one that allows me to express creativity, solve problems, and connect meaningfully with people through space.

DL: What do you design, what type of designs do you wish to design more of?

CJID : I specialize in interior design projects that range from private residences and apartment renovations to commercial spaces such as salons, wellness centers, and public areas. My design language blends modern and neoclassical aesthetics with a focus on storytelling, sustainability, and emotional resonance. In the future, I wish to design more cultural and experimental spaces—projects that integrate architecture, interior design, and art installations. These types of works allow me to push the boundaries of creativity, participate in international competitions, and create designs that not only serve function but also inspire dialogue and reflection.

DL: What should young designers do to become a design legend like you?

CJID : To become a design legend, young designers must cultivate three qualities: passion, persistence, and purpose. Passion keeps creativity alive; persistence allows them to overcome challenges; and purpose gives meaning to their work. I encourage them to stay curious, embrace cross-disciplinary learning, and never be afraid to take risks. They should aim not only to create beautiful spaces but also to tell stories, respond to social and cultural needs, and contribute to sustainability. Entering international competitions and engaging with global communities can also broaden their perspective and sharpen their design voice. Ultimately, legends are not born overnight—they are built through years of dedication, reflection, and a relentless pursuit of excellence.

DL: What distinguishes between a good designer and a great designer?

CJID : A good designer creates functional and aesthetically pleasing spaces, but a great designer goes further—infusing design with cultural depth, emotional resonance, and a vision for change. For example, my project Framed Time, which received international recognition from the A’ Design Award and the New York Architecture Design Award, was not only about renovating an old residence, but about transforming memory and light into a poetic living experience. Similarly, Satin Hair and Sunshine Rhythm, both honored in global design competitions, demonstrate how design can bridge lifestyle, sustainability, and artistry. Good design solves problems; great design inspires transformation. What truly distinguishes a great designer is not only skill, but vision—the ability to create works that touch hearts, tell stories, and leave a lasting legacy.

DL: What makes a good design a really good design, how do you evaluate good design?

CJID : A good design becomes a truly great design when it goes beyond solving problems and starts to inspire, connect, and endure. For me, the evaluation of good design lies in three dimensions: human experience, cultural resonance, and sustainable impact. For example, my project Realm of Floating Silence was recognized not only for its aesthetic qualities but for its ability to transform a ruined chapel into a poetic space that engages memory, community, and ecological awareness. Similarly, Meet Purple and Sunshine Rhythm, both awarded internationally, were praised because they created emotional bonds with users while addressing functionality and sustainability. I evaluate good design by asking: does it improve lives? Does it tell a story? Does it leave a lasting positive impact on people and the environment? When the answer is yes to all three, then a good design becomes a truly great one.

DL: What is the value of good design? Why should everyone invest in good design?

CJID : The value of good design lies in its ability to improve quality of life, create emotional resonance, and generate long-term cultural and economic impact. Unlike trends that fade quickly, good design endures because it is rooted in human needs, sustainable thinking, and timeless aesthetics. Everyone should invest in good design because it is not an expense, but an investment in the future. For individuals, it shapes healthier, more inspiring living environments. For companies, it builds stronger brands and lasting trust with clients. For society, it preserves cultural identity and promotes sustainability. In my projects such as Framed Time and Realm of Floating Silence, the investment in thoughtful design has proven to elevate not only the space but also the sense of belonging, memory, and well-being of the users. This is the true return on investing in good design.

DL: What would you design and who would you design for if you had the time?

CJID : If I had more time, I would love to design cultural and spiritual spaces that connect people with nature and memory, such as a mountain retreat, a pavilion in a forest, or the transformation of abandoned historical buildings into poetic living spaces. These projects allow design to go beyond functionality and become a dialogue between history, culture, and human emotions. I would especially like to design for local communities, indigenous groups, or organizations that value sustainability and cultural preservation. Creating spaces that honor tradition while embracing modern aesthetics is my way of giving back to society and leaving something meaningful for future generations.

DL: What is the dream project you haven’t yet had time to realize?

CJID : One of my dream projects that I have not yet realized is the creation of a cultural and spiritual retreat in the deep mountains, blending contemporary architecture with poetic narratives. I imagine a place where architecture interacts with nature—floating pavilions, reflective water surfaces, and spaces that allow silence to become a form of design. Another dream is to transform abandoned historical sites, such as old churches or heritage walls, into modern cultural and artistic spaces. This type of project would not only preserve collective memory but also give new life and meaning to forgotten places. It is a way of connecting history with the future through design.

DL: What is your secret recipe of success in design, what is your secret ingredient?

CJID : My secret ingredient in design is the ability to transform constraints into creativity. Every project comes with limitations—budget, space, or client expectations—but I see these as opportunities to innovate. Another essential element is my insistence on storytelling. For me, design is not only about form and function but also about creating an emotional journey. By blending cultural narratives, personal memories, and the rhythm of light and shadow, I aim to design spaces that people can feel, not just see. Finally, humility and perseverance are crucial. I constantly learn from each project, refine my craft, and never stop challenging myself to reach international standards.

DL: Who are some other design masters and legends you get inspired from?

CJID : I have been inspired by many design masters, especially Peter Zumthor and Frank Gehry. Zumthor’s work reveals a deep sensitivity to atmosphere and materials, teaching me how architecture can evoke emotions and connect with memory. Gehry’s bold, sculptural forms remind me of the power of creativity to break boundaries and redefine what architecture can be. Together with influences from Tadao Ando’s play of light and shadow and Kelly Hoppen’s timeless balance of modern and classic aesthetics, these masters shaped my approach to create spaces that are poetic, human-centered, and internationally relevant.

DL: What are your favorite designs by other designers, why do you like them?

CJID : One of my favorite designs is Peter Zumthor’s Therme Vals in Switzerland. I admire how he uses natural stone, light, and silence to create an atmosphere that feels both spiritual and deeply human. The project shows me how architecture can touch emotions through material and atmosphere. Another work I admire is Frank Gehry’s Guggenheim Museum Bilbao, a masterpiece that demonstrates the power of creativity and boldness. Its sculptural form reshaped the identity of an entire city, proving how architecture can go beyond functionality and become cultural transformation. I am also drawn to Tadao Ando’s Church of Light, where minimalism and light create a sacred experience. These projects inspire me to design spaces that are not only functional but also poetic, emotional, and transformative.

DL: What is your greatest design, which aspects of that design makes you think it is great?

CJID : At this stage, one of my most complete works is “Framed Time”, a residential project that has gained international recognition such as the A’ Design Award. I consider it a milestone because it reflects a balance between client needs, limited budgets, and the high standards of global competitions. The design merges modern and neoclassical elements with natural light and customized details, creating a timeless yet personal atmosphere. It is meaningful not only for its aesthetics but also for its ability to narrate life moments and integrate sustainable values. However, I see design as an ongoing journey. While “Framed Time” represents my present achievement, I am continuously pushing boundaries. My upcoming work, “Realm of Floating Silence”, carries my expectations for the future—it explores poetic architecture, cultural depth, and AI-assisted innovation. This combination of current accomplishment and future vision is what makes me feel my path as a designer is still evolving.

DL: How could people improve themselves to be better designers, what did you do?

CJID : To become a better designer, one must cultivate curiosity, resilience, and a willingness to constantly learn. Design is not only about aesthetics but also about understanding people, culture, and technology. I believe designers improve by observing daily life, embracing failures as lessons, and seeking inspiration beyond their own discipline. For myself, I have continuously pursued higher education, such as my Master’s research at National Taipei University of Technology, which deepens my theoretical foundation while reflecting on practical work. I also challenge myself by participating in international design competitions, where I can test ideas against global standards and learn from peers worldwide. Most importantly, I never stop experimenting—whether through traditional craftsmanship, sustainable materials, or AI-assisted design. This openness to exploration keeps my creativity alive and pushes me to evolve as a designer.

DL: If you hadn’t become a designer, what would you have done?

CJID : If I hadn’t become a designer, I believe I would have pursued a career in education or cultural research. I have always been fascinated by how spaces influence human behavior and emotions, and I would have enjoyed sharing that knowledge with others through teaching and academic exploration. Alternatively, I might have worked in art and architecture writing, documenting and analyzing how design shapes society. In many ways, these roles share the same spirit as design—seeking meaning, inspiring people, and creating value. Becoming a designer allowed me to merge creativity, research, and practice, but my path would always revolve around culture, aesthetics, and human experience.

DL: How do you define design, what is design for you?

CJID : For me, design is not just the creation of forms or spaces, but the translation of human emotions, culture, and life into tangible experiences. It is a dialogue between people and their environment, where aesthetics, functionality, and sustainability come together in harmony. I define design as a bridge between imagination and reality—a process that turns abstract ideas into meaningful spaces that inspire, heal, and connect people. Each design decision carries responsibility, reflecting respect for history, culture, and the environment. My international award-winning projects have further shaped this definition, showing me that design must reach beyond borders and cultures to be truly timeless and influential. Likewise, my academic research deepens this perspective, allowing me to analyze how budget, competition standards, and cultural narratives can shape design outcomes. Ultimately, design is both my language to tell stories and my way to leave a positive mark on the world—where practice and research meet, and where creativity transforms into lasting value.

DL: Who helped you to reach these heights, who was your biggest supporter?

CJID : I owe my achievements to the unwavering support of my family, who always encouraged me to pursue my passion for design even during difficult times. My professors and mentors also played a vital role, guiding me with wisdom and inspiring me to push the boundaries of creativity. Equally important are my team members at Chiun Ju Interior Design, who have stood by me through countless projects, transforming challenges into opportunities. Their dedication and trust have allowed me to realize visions that would have been impossible alone. Ultimately, it is this collective strength—family, mentors, and colleagues—that has given me the courage to pursue international recognition and continue contributing to the design community.

DL: What helped you to become a great designer?

CJID : What helped me become a great designer was an unwavering passion for transforming spaces into meaningful experiences. I have always believed that design is not just about aesthetics, but about creating harmony between people, space, and culture. Continuous learning also played a vital role—I pursued academic research at National Taipei University of Technology while participating in international design competitions, which sharpened my creativity and expanded my vision. Most importantly, perseverance and resilience have been the foundation. Every challenge, from limited budgets to high expectations, became an opportunity to innovate and prove that design can transcend constraints.

DL: What were the obstacles you faced before becoming a design master?

CJID : Before becoming recognized as a design master, I faced several obstacles. Early in my career, limited budgets and resources often forced me to be extremely creative in order to achieve high-quality results. Another challenge was gaining recognition in a highly competitive industry where international exposure is essential. Entering global competitions and presenting my works abroad required not only courage but also financial and emotional investment. Finally, balancing clients’ practical needs with my own design philosophy was not always easy. These challenges, however, taught me resilience and pushed me to innovate within constraints, shaping the designer I am today.

DL: How do you think designers should present their work?

CJID : I believe designers should present their work as more than just visuals; it should be a story that communicates the intention, process, and emotional connection behind the design. Clear visuals, supported by concise explanations, allow the audience to understand not only what the design looks like but also why it exists and how it improves lives. A good presentation balances technical details with human emotion, making the work accessible to both professionals and the general public.

DL: What’s your next design project, what should we expect from you in future?

CJID : My next design project will continue exploring the dialogue between nature, culture, and contemporary living. I am currently developing “Realm of Floating Silence”, an architectural and interior design project that integrates sustainability, poetic spatial narratives, and human well-being. In the future, you can expect more works that experiment with hybrid approaches—combining traditional craftsmanship with AI-assisted design—to create innovative spaces that inspire reflection, connection, and a sense of belonging.

DL: What’s your ultimate goal as a designer?

CJID : My ultimate goal as a designer is to create timeless works that bridge culture, nature, and humanity. I aspire to design spaces that not only fulfill functional needs but also inspire emotions, encourage reflection, and promote sustainable living. Ultimately, I hope my work can leave a positive legacy—where design becomes a dialogue between generations, shaping how people live, feel, and connect with the world.

DL: What people expect from an esteemed designer such as yourself?

CJID : People expect me to bring not only aesthetic excellence but also a deeper vision that integrates culture, sustainability, and human emotion into design. They look for originality, responsibility, and authenticity in my work, as well as the ability to inspire younger generations of designers. I believe my role is not just to deliver projects, but to create meaningful experiences and contribute to the dialogue between design, society, and the future.

DL: How does design help create a better society?

CJID : Design helps create a better society by improving the quality of life, fostering inclusivity, and addressing social and environmental challenges. Through thoughtful spaces and products, design connects people, preserves culture, and encourages sustainability. A well-considered design not only meets functional needs but also inspires empathy, dialogue, and collective growth in communities.

DL: What are you currently working on that you are especially excited about?

CJID : I am currently working on “Realm of Floating Silence”, a poetic architectural and interior design project that integrates AI narratives with sustainable strategies. It reflects my vision of creating spaces that touch emotions while embodying environmental responsibility. Preparing this project for international competitions excites me, as it challenges me to push design beyond aesthetics into a dialogue with the future. At the same time, I am deeply engaged in a residential renovation project in Taoyuan, transforming a 35-year-old house into a modern living space with flowing curves, natural materials, and enhanced functionality. This project allows me to bring design closer to people’s everyday lives, experimenting with new aesthetics while responding to practical needs. Together, these two works represent the dual path I value most: pursuing innovative, poetic visions for the future while staying grounded in the reality of human life and daily experiences.

DL: Which design projects gave you the most satisfaction, why?

CJID : One of the projects that gave me the greatest satisfaction is “Framed Time”, a residential design that won the A’Design Award. This work balanced neoclassical elegance with modern simplicity, creating a living space that not only impressed the jury but, more importantly, deeply resonated with the client’s lifestyle and emotions. Another project that continues to inspire me is “Realm of Floating Silence”, an ongoing experimental work that integrates AI, architecture, and poetic narratives. It excites me because it represents the future direction of design—where creativity, technology, and sustainability converge. These projects satisfy me in different ways: one for its recognition and human connection, the other for pushing boundaries and shaping the future.

DL: What would you like to see changed in design industry in the coming years?

CJID : In the coming years, I would like to see the design industry place greater emphasis on sustainability, social responsibility, and human well-being. Good design should not only create beauty but also address environmental concerns and improve people’s lives. I also believe the integration of technology, such as AI, with human creativity will become a powerful tool to push design beyond current boundaries. However, I hope this evolution never replaces the designer’s emotional depth and cultural sensitivity, but instead becomes a partner to amplify them. Ultimately, I want to see a design industry that is more collaborative, ethical, and future-oriented, shaping spaces and objects that inspire both individuals and society.

DL: Where do you think the design field is headed next?

CJID : I believe the design field is moving toward a deeper integration of sustainability, technology, and human experience. The future of design will not only focus on aesthetics, but also on creating meaningful solutions that respond to climate challenges, urban lifestyles, and cultural identities. AI and digital tools will accelerate the process, but the heart of design will remain in storytelling, emotion, and human connection. The next era of design will be about creating spaces and objects that are not only functional and beautiful, but also socially responsible and inspiring for future generations.

DL: How long does it take you to finalize a design project?

CJID : The time it takes to finalize a design project varies depending on the scale and complexity. A small residential renovation may take 3–4 months, while larger or more customized projects, such as villas or public spaces, may require 4–6 months. Beyond construction, I also dedicate time to concept development, client communication, and fine-tuning details, which ensures that each project is not only completed on time but also aligned with international design standards.

DL: When you have a new design project, where do you start?

CJID : When I start a new design project, I always begin with listening and understanding. I take time to learn about the client’s lifestyle, preferences, and aspirations, as well as the practical needs of the space. Then, I carefully study the site conditions — light, circulation, proportions, and cultural context — which often reveal unique design opportunities. From there, I move into conceptual sketches and storytelling, gradually transforming abstract ideas into spatial solutions. This process allows me to build a strong foundation, ensuring the final design is both functional and emotionally resonant.

DL: What is your life motto as a designer?

CJID : 空間專屬，生活有詩。 Designing spaces, defining lives.

DL: Do you think design sets the trends or trends set the designs?

CJID : I believe design both shapes and responds to trends. Great design often sets new directions by capturing timeless values, while also reflecting the cultural and social context of its era. My approach is to create works that transcend temporary fashion, carrying lasting meaning and poetic resonance.

DL: What is the role of technology when you design?

CJID : Technology plays the role of an enabler in my design process. From digital modeling and visualization to AI-assisted creative tools, it allows me to explore forms, materials, and emotions with greater precision and imagination. However, I see technology not as a replacement for creativity but as a bridge that connects human intuition with innovative possibilities, bringing poetic concepts into reality.

DL: What kind of design software and equipment do you use in your work?

CJID : I combine traditional design tools such as AutoCAD, SketchUp, and 3ds Max with AI platforms like Stable Diffusion. Supported by high-performance NVIDIA RTX 4090 workstations, my workflow ensures both precision and innovation.

DL: What is the role of the color, materials and ambient in design?

CJID : Color, materials, and ambient are the emotional language of design. Color sets the psychological tone, materials define texture and authenticity, while ambient light creates the atmosphere that connects people with space. Together, they transform a structure into an experience of life and emotion.

DL: What do you wish people to ask about your design?

CJID : I hope people ask about the story and emotions behind my design, not only the visual form. I want them to be curious about how the space connects with life, memory, and culture, and how design can inspire a sense of belonging and future possibility.

DL: When you see a new great design or product what comes into your mind?

CJID : When I see a great design or product, my first thought is to understand its story—what challenges it solves, what emotions it conveys, and how it pushes the boundaries of creativity. It inspires me to reflect on my own practice, reminding me that design is not only about form and function, but also about vision, responsibility, and the ability to create meaningful connections between people and spaces.

DL: Who is your ideal design partner? Do you believe in co-design?

CJID : My ideal design partner is someone who shares the same passion for beauty, functionality, and storytelling, while bringing a different perspective that challenges and enriches my ideas. I strongly believe in co-design, because design is never created in isolation—it grows through dialogue, collaboration, and the exchange of visions. Whether with clients, craftsmen, or even emerging technologies like AI, co-design allows us to create works that are more meaningful, human-centered, and future-oriented.

DL: Which people you interacted had the most influence on your design?

CJID : The people who influenced me the most are my professors and mentors who shaped my academic foundation, my clients whose real needs pushed me to find creative solutions, and my design idols such as Peter Zumthor and Frank Gehry, who taught me how to balance emotion with innovation. Every interaction—whether with craftsmen, students, or peers—enriches my design philosophy and reminds me that design is ultimately about people.

DL: Which books you read had the most effect on your design?

CJID : Several books have deeply influenced my design thinking. Thinking Architecture by Peter Zumthor helped me understand the emotional power of space; Complexity and Contradiction in Architecture by Robert Venturi opened my eyes to the richness of layered meanings; and The Poetics of Space by Gaston Bachelard inspired me to see interiors as places of memory and imagination. These readings shaped my philosophy of blending functionality, emotion, and cultural narratives in every project.

DL: How did you develop your skills as a master designer?

CJID : I developed my skills through a balance of formal education, hands-on practice, and constant reflection. Years of leading real projects—from small-scale renovations to international award-winning works—trained my ability to integrate design vision with practical execution. I constantly study art, architecture, and philosophy, and embrace new technologies like AI visualization to refine my expression. Most importantly, I see every project as a dialogue with clients, culture, and the environment, which continually sharpens my craft.

DL: Irrelative of time and space, who you would want to meet, talk and discuss with?

CJID : If I could transcend time and space, I would wish to converse with Antoni Gaudí, Albert Einstein, and Tadao Ando. From Gaudí, I would learn the poetry of organic forms; from Einstein, the infinite curiosity that reshaped our view of the universe; and from Ando, the silent dialogue between light, nature, and the human spirit. Together, their voices would guide me to design not only spaces, but also meanings that transcend eras.

DL: How do you feel about all the awards and recognition you had, is it hard to be famous?

CJID : Awards and recognition are affirmations, but I do not see them as the ultimate destination. Each honor reminds me of the responsibility to stay humble, to keep learning, and to continue creating with sincerity. Fame is never my pursuit—what matters most is whether my design can truly touch lives and inspire new possibilities.

DL: What is your favorite color, place, food, season, thing and brand?

CJID : My favorite color is a deep, elegant blue with a touch of calmness, which I often call my "Chiun Ju Blue." My favorite places are European streets, especially in France and the UK, where classical architecture meets everyday life. I enjoy gourmet food, especially coffee and afternoon tea—it gives me time to slow down and reflect. My favorite season is spring, when everything feels renewed, much like the spirit of design. Among things, I treasure my sketchbook the most—it is where ideas first take shape. As for brands, I admire Chanel for its timeless elegance and Mercedes-Benz for its precision, sophistication, and enduring design language.

DL: Please tell us a little memoir, a funny thing you had experienced as a designer?

CJID : One of the most memorable and funny moments in my career happened when a client gave me full trust and only saw the space after the project was completed. When they walked in, their eyes filled with tears of joy because the design was beyond their imagination. That moment reminded me why I became a designer – to create spaces that touch people’s hearts. Another lighthearted story took place at a construction site. I carefully explained to the workers that I wanted a smooth curve on a wall, but they misunderstood and thought I meant a “wave effect.” When I returned the next day, the wall looked like an ocean wave! We laughed together and then corrected it, but it became a story I still share with a smile. It taught me that clear communication is just as important as creativity in design.

DL: What makes your day great as a designer, how do you motivate yourself?

CJID : A great day for me as a designer begins when I see how my ideas gradually transform into spaces that people can truly live in and feel connected with. The biggest motivation comes from clients’ genuine emotions—whether it’s a smile, a word of gratitude, or the sparkle in their eyes when they see the finished work. To motivate myself, I constantly seek inspiration from travel, art, and nature, but most importantly, I remind myself that every project is an opportunity to create something meaningful. Even on challenging days, I hold onto the belief that design has the power to improve lives, and that keeps me moving forward with passion.

DL: When you were a little child, was it obvious that you would become a great designer?

CJID : Since childhood, I have always loved drawing. I remember covering the walls of my own room with sketches, and even in church, when I freely filled the classroom walls with drawings, the teachers didn’t scold me—instead, they encouraged me. During my school years, I participated in countless painting and sketch competitions, often placing in the top three, which further strengthened my passion and confidence in creativity. Perhaps no one at the time thought I would become a designer, yet I was always curious about shapes, spaces, and how objects could be transformed. I loved drawing houses and constantly rearranging the things around me. Looking back, these small habits were the earliest traces of my design journey, and for all the encouragement along the way, I remain deeply grateful to God.

DL: What do you think about future; what do you see will happen in thousand years from now?

CJID : When I think about the future, I believe design will continue to shape how humanity lives, connects, and dreams. A thousand years from now, technology may blur the boundaries between the physical and the virtual, but the essence of design will still be about creating meaning and harmony. I imagine cities that coexist seamlessly with nature, spaces that adapt to human emotions, and architecture that reflects both memory and innovation. Even across millennia, I hope design remains a bridge between human spirit and the environment.

DL: Please tell us anything you wish your fans to know about you, your design and anything else?

CJID : At the end of the day, what truly matters to me is not only creating beautiful spaces but also touching hearts through design. Every project is a dialogue between my passion, the client’s story, and God’s grace. I am deeply thankful for all the people who have supported me along the way—my clients, colleagues, teachers, and friends. Without you, my journey would not be the same. I hope my works continue to bring joy, comfort, and inspiration into your lives.